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- Contributors to MYTHS FOR THE MODERN AGE: Philip José Farmer's Wold
Newton Universe: Pete Coogan, Chuck Loridans, John Small, Brad Mengel,
and Win Eckert
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- Celebrated science-fiction author, three-time winner of the Hugo Award,
as well as the Nebula Award, and the World Fantasy Award.
- Riverworld series
- World of Tiers series
- The “Wold Newton Family” cycle of biographies, essays,
novels, and short stories…
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- Coach Passengers
- John Clayton, third Duke of Greystoke, and his wife, Alicia Rutherford
– Tarzan
- Sir Percy Blakeney, and his (second) wife, Alice Clarke Raffles –
The Scarlet Pimpernel
- Fitzwilliam Darcy, and his wife, Elizabeth Bennett – Pride and
Prejudice
- George Edward Rutherford, and his wife, Elizabeth Cavendish – The
Lost World
- Honore Delagardie, and his wife, Philippa Drummond – Hugh
“Bulldog” Drummond
- Dr. Siger Holmes, and his wife, Violet Clarke – Sherlock Holmes
- Baronet Hugh Drummond – Hugh “Bulldog” Drummond
- Coachmen Other
- Louis Lupin – Arsène Lupin On horseback: Sebastian Noel
– Prof. Moriarty
- Albert Lecoq – Monsieur Lecoq Nearby: Juno, a dog – Old
Yeller
- Arthur Blake – Sexton Blake
Unnamed Ploughman
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- These families intermarried in the following generations, reinforcing
the gene mutated by the radiation of the meteor, eventually producing
what Farmer calls a “nova of genetic splendor, this outburst of
great detectives, scientists, and explorers of exotic worlds, this last
efflorescence of true heroes in an otherwise degenerate age.”
- The heroic contributors and inheritors of this gene are members of the Wold
Newton Family, including:
- Solomon Kane; Captain Blood; The Scarlet Pimpernel; Harry Flashman; Sherlock
Holmes; Captain Nemo; Phileas Fogg; The Time Traveler; Tarzan and his
son Korak; A.J. Raffles; Professor Challenger; Arsène Lupin; Richard
Hannay; Bulldog Drummond;Sir Denis Nayland Smith; G-8; The Shadow; Sam
Spade; Doc Savage, his cousin Pat Savage, and one of his five
assistants, Monk Mayfair; The Spider; Nero Wolfe; Mr. Moto; The Avenger;
Philip Marlowe; James Bond; Lew Archer; and Travis McGee
- And the villainous ones:
- Fu Manchu, Professor Moriarty, Carl Peterson, and Ernst Stavro Blofeld.
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- “The only other thing I could find out about the artist is that
she was from the town of Malaurak, in the harem(!) of someone called ‘Abu
Tahir.’”
- “Oh that was Sheik Abu Tahir.”
- “When I asked her more about the artist’s background, all
she would say is that it was not her story to tell.”
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- Being an examination into the true name of Doc Savage and his extended
family
- Brad Mengel
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- Is Doc Savage’s real name Clark Savage Jnr or James Clarke Wildman
Jnr?
- Are there other members of the Savage Family ?
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- Farmer revealed that Doc Savage’s paternal grandfather was William
Clayton 6th Duke of Greystoke (pictured above with his son
James Wildman)
- Terry Collins in the Doc Savage supersaga Doom Dynasty revealed that his
paternal grandfather was Richard Henry Savage.
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- Victor Savage, son of Richard Henry Savage and Patricia Clarke Wildman.
- John Savage, Australian Millionaire and son of Victor Savage.
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- John’s granddaughter Sydney Savage joined ASIO and was then
recruited by the freelance organization Danger Girl.
- The Savage legacy is one of adventure.
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- 1990: DC series ends; no further information about Doc in the modern
era
- How did DC Comics get their information?
- Current news reports, but DC also knew about more private details
- Doc Savage had a history of working with publishers to tell
“fictionalized” versions of his real-life adventures
- He did this in the 1930s-40s with Street & Smith, publishers of
the Doc Savage pulp magazines
- Doc must have contracted with DC Comics to tell his story, with a few
details and dates altered.
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- Adélaïde Johnston, reporter for L'Écho de France
newspaper
- Note the date: Friday, May 29, 1987
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- Clipping #2, also by Adélaïde Johnston, covers Doc
Savage’s disappearance in 1990
- Adélaïde Johnston knew Doc Savage in France in the 1940s
under the name “Doc Ardan”
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- Clipping #3 is a birth announcement for Pat Wildman, D.O.B. November
12, 1950
- Clipping #4 is almost an exact duplicate of Clipping #1, from the same
newspaper, L’Écho de France, the same date, except that
the reporter is different
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- “When you have eliminated the impossible, whatever remains,
however improbable, must be the truth.”
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- Peter Coogan
- Theory and Methodology
- Principles guide interpretation of texts
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- Principle of Unverifiable Evidence
- Letters from Pvt. Michael D. Stone
- Principle of Published Proof
- Great Sheiks I Have Known
- Principle of Mysterious Source
- Woman who sold Stone the letters
- Principle of Physical Resemblance
- Resemblance of Modesty Blaise to Tarzan and La
- Principle of Genetic Personality
- Modesty’s adventurous personality
- Interbreeding among descendants of Wold-Newton meteor strike passengers
produced a “nova of genetic splendor” of adventurers
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- Principle of Narrative Lacuna
- Vampirella’s Drakulon origin declared to be false memories
- Lady Rawhide mini-series left uncompleted
- Principle of Extraordinary Remarkability
- Vampirella portrayed as many characters by many different writers--Lady
Rawhide, vampire movies, Doctor Who television episode, Vampirella
comics
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- Principle of Coded Names
- Wildman coded as Savage for publication
- Principle of Inspiration Relation
- Richard Henry Savage inspired the creation of Doc Savage at Street
& Smith
- Principle of Genetic Personality
- “The Savage legacy is one of adventure.”
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- Principle of Reconciliation
- Conde Naste authorized publication of “The Heritage of Doc
Savage”
- Evil in Pemberley House has the authority of Philip José Farmer
- Principle of Contradiction
- “Heritage” and Pemberley contradict each other
- Time travel reconciles contradiction
- Principle of Fictionality
- Doc Savage authorized the fictionalizing of the details of his
adventures in pulp, so the details of the “Heritage” story
can be considered to have been fictionalized
- Principle of Mysterious Source
- Anonymous packet of newspaper clippings
- Invented source
- Principle of Unverifiable Evidence
- Newspaper articles that can’t be found in the archives
- Reporter whose employment can’t be confirmed
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